All Projects
︎︎︎Research
︎︎︎Teaching
︎︎︎Design
News
People
Contact
Outreach
Facebook
Instagram
Issuu
Wechat
Condition_Lab is a Design Research Laboratory based within the School of Architecture at CUHK. Established in 2018, our primary focus is to improve people’s lives through design.
The Lab’s research resolves around designing socially responsible architectural prototypes. By working hand-in-hand with local partners on real sites, our aim is to develop projects that foster a better sense of community. The prototype acts as a vessel to generate new knowledge about how people inhabit their environment.
Our philosophy revolves around the paradox embedded into the word “condition”, as a noun it refers to a context, a circumstance, or a situation, while as a verb it implies change - to condition something based on an original state.
Condition_Lab © 2020 School of Architecture,
The Chinese University of Hong Kong
All Projects
︎︎︎Research
︎︎︎Teaching
︎︎︎Design
News
People
Contact
Outreach
Facebook
Instagram
Issuu
Wechat
Condition_Lab is a Design Research Laboratory based within the School of Architecture at CUHK. Established in 2018, our primary focus is to improve people’s lives through design.
The Lab’s research resolves around designing socially responsible architectural prototypes. By working hand-in-hand with local partners on real sites, our aim is to develop projects that foster a better sense of community. The prototype acts as a vessel to generate new knowledge about how people inhabit their environment.
Chasing the City
New York, 2018
New York, 2018
Chasing Ambiguous Conditions of Coexistence
Chasing the City:
Models for Extra-Urban Investigations
Only after a second glance do you realize that things aren’t quite what you expected them to be. Lift interiors in Hong Kong, specifically domestic lifts, appear to be the same as most other lift interiors around the world. Possibly the decor is richer in ornament than an equivalent European lift, but the 1.5 meter-square ubiquitous cabin is a standardized component that simply gets installed and allowed to operate following programmed algorithms. In fact, your cognitive faculties cease to function in these com- monly recognized “background” spaces. It is as if your brain goes into default mode, basing conclusions on preconceived assumptions about what is staring straight at you. On closer inspection, you realize that what you thought to be “standard” has been subtly manipulated: the lift buttons marking the floors of the apartment have been tampered as to omit any presence of the number 4 (4, 14, 24, 34. . .) due to its negative local “bad omen” connotations. Pronounced in Cantonese the word “four” phoneti- cally sounds the same as “death,” resulting in a paradoxical Spike Jonze situation where a building has no 4th, 14th, 24th floor, etc.
︎︎︎Read Full Article
Chasing the City:
Models for Extra-Urban Investigations
Only after a second glance do you realize that things aren’t quite what you expected them to be. Lift interiors in Hong Kong, specifically domestic lifts, appear to be the same as most other lift interiors around the world. Possibly the decor is richer in ornament than an equivalent European lift, but the 1.5 meter-square ubiquitous cabin is a standardized component that simply gets installed and allowed to operate following programmed algorithms. In fact, your cognitive faculties cease to function in these com- monly recognized “background” spaces. It is as if your brain goes into default mode, basing conclusions on preconceived assumptions about what is staring straight at you. On closer inspection, you realize that what you thought to be “standard” has been subtly manipulated: the lift buttons marking the floors of the apartment have been tampered as to omit any presence of the number 4 (4, 14, 24, 34. . .) due to its negative local “bad omen” connotations. Pronounced in Cantonese the word “four” phoneti- cally sounds the same as “death,” resulting in a paradoxical Spike Jonze situation where a building has no 4th, 14th, 24th floor, etc.
︎︎︎Read Full Article